Goosebumps HorrorLand #11: Escape From Horrorland

• ISBN13: 9780439918794
• Condition: New
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Snake Plissken is sent to post-earthquake-devastated Los Angeles to retrieve a doomsday device in the hear 2013.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 20-DEC-2005
Media Type: DVDKurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wr! ong in this new moral order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is commandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayThe man with the patch is back. Call him Snake. Kurt Russell rejoins filmmakers John Carpenter and Debra Hill to do to the Big Orange what they did to the Big Apple in Escape From New York â€" with even more futu! ristic thrills and slam-bang action! Into the 9.6-quaked Los A! ngeles o f 2013 comes Snake Plissken (Russell). His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device. Don't miss the excitement as Snake surfs Wilshire Blvd., shoots hoops at the Coliseum, dive bombs the Happy Kingdom theme park, and mixes it up with a wild assortment of friends, fiends and foes (Stacy Keach, Steve Buscemi, Peter Fonda, George Corraface, Cliff Robertson, Pam Grier and more). Escape From L.A. is a "go-for-broke action extravaganza!" (Roger Ebert, Chicago Sun-Times).Kurt Russell reprises his role as Snake Plissken, of the near-future thriller Escape from New York, in this reworking of that film's basic premise. Instead of New York being a maximum-security prison, this time it's L.A., which through the agency of earthquakes has become an island of the damned. This penal colony is where the film's future rulers, something very like the Moral Majority, send those deemed guilty of "moral crimes." But something has gone wrong in this new mor! al order, because the President's daughter has absconded to L.A. with a detonation device, and Snake is commandeered to retrieve it. The film's dark dystopia, with its satrical elements taking aim at our dwindling freedoms, and the eclipsing of democracy by narrow interests, are more the subject this time. As a result the action suffers, and the plot devices are sometimes weak and predictable. But just below the surface there is a coiled Snake ready to strike. Steve Buscemi's performance as a weasely hawker of L.A. tour maps is a standout, and the presence of Peter Fonda and Pam Grier adds to the fun. In fact, just the sight of Fonda surfing down the flooded corridor of Sunset Boulevard is reason enough to check this movie out. --Jim GayA thrilling landmark film that jolts along at a breakneck pace, Escape From New York leaped to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battli! ng his way out of a post-apocalyptic Manhattan! Hailed as "sty! lish and scary" (Los Angeles Times), "dark and dangerous" (Newsweek) and "gloriously...fun" (Tyler Morning Telegraph), this fast-paced and furiously entertaining thriller grabs you by the throat and won't let go! In a world ravaged by crime, the entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's mission and his life unless he succeeds! In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. ! Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibilities and macho posturing, this is one of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman A thrilling landmark film that jolts along at a breakneck pace, Escape From New York leapt to cult status with high-octane action, edge-of-your-seat suspense and a mind-blowing vision of a lone warrior (Kurt Russell) battling his way out of a post-apocalyptic Manhattan! Hailed as "stylish and scary" (Los Angeles Times), "dark and dangerous" (Newsweek) and "glor! iously...fun" (Tyler Morning Telegraph), this fast-paced and f! uriously entertaining thriller grabs you by the throat and won't let go! In a world ravaged by crime, the entire island of Manhattan has been converted to a walled prison where brutal prisoners roam. But when the U.S. President (Donald Pleasence) crash-lands inside, only one man can bring him back: notorious outlaw and former Special Forces war hero Snake Plissken (Russell). But time is short: in 24 hours, an explosive device implanted in his neck will end Snake's missionand his lifeunless he succeeds!In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Kurt Russell put his Disney days behind him as the nicest bad guy in the picture. All comic-book sensibilities and macho posturing, this is on! e of writer-director John Carpenter's better brainless escapes. There are snappy one-liners and explosive action scenes. However, the film lacks tension and some believability even within the realm of SF fantasy. Even when it fails to gel, though, it always manages to amuse, thanks in great part to a varied and unusual supporting cast (watch for Ernest Borgnine as a cabdriver). Followed in 1996 by Carpenter's overdone and campy Escape from L.A. --Rochelle O'Gorman Supermodel Kathy Ireland stars in this wild and sexy fantasy-adventure as an L.A. loner stranded inthe underground'the real underground! A fast-paced and funny visual feast, this spoof of Jules Verne's Journey to the Center of the Earth is a nonstop trip to fun and excitement! Social misfit Wanda (Ireland) is devastated when her boyfriend dumps her because she "lacks a sense of adventure." To prove him wrong, she goes in search of her missing father and, before long, finds herself in a bizarre under! ground world where crazy subterranean creatures think she's a ! spy and want her dead! Thwarting them at every turn, Wanda discovers an inner strength she never knew she had. But if the denizens of the underground have their way, she'll never find her fatheror see the light of day in sunny Malibuagain!

Sharp turns ahead! All aboard the next-to-last thrill ride in this epic series from fright-master R.L. Stine! And be prepared for the most shocking twists yet. . . .

Not long ago, Luke and Lizzy Morris dared to spend one day at HorrorLand, the terrifying theme park where nightmares come to life. They thought that NOTHING could lure them back, but their travel plans are about to change....
Who--or WHAT--is summoning ordinary kids to HorrorLand and trapping them there? Luke and Lizzy are determined to find out. They've gathered every clue, and they even launched their own secret website at EscapeHorrorLand.com.
This time, Luke and Lizzy are prepared to face any danger--and any villain. Or so they thought...

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D.O.A. - Dead or Alive

• Four gorgeous women are invited to a remote island to participate in a fighting tournament. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 796019796941 UPC: 796019796941 Manufacturer No: 79694

Four gorgeous women are invited to a remote island to participate in a fighting tournament.Based on the popular video-game series, Corey (The Transporter) Yuen's DOA: Dead Or Alive brings together cheesecake titillation and martial-arts action in a lightweight slice of exploitation that's sure to keep its largely young and male audience happy. Jaime Pressly (My Name is Earl) is top-billed as a pro wrestler who joins a no-holds-barred brawling competition on a remote island; once there, she discovers that the tournament's sponsor, Donovan (Eric Roberts at his toothiest and oiliest), has nefarious plans up his sleeve, and the competitors (which include Devon Aoki, Ho! lly Valance, and the always impressive Kane Kosugi) must bond together to fight a common enemy. As with 2007's The Condemned, DOA: Dead Or Alive is the 21st century equivalent of an early '70s drive-in movie: Proudly loud and lunkheaded, its main function is to cram as much fighting and bikini-clad women into its running time as possible, and to that end, it's enormously successful. Director Yuen understands this, and wisely skews the tone towards the broadly (ahem) tongue-in-cheek; Pressly (whose knack for comedy doesn't get as much mileage here) and the rest of her castmates look good and move well, and the fighting, while not on par with Hong Kong or Thai standards, is plentiful and flashy. If you come expecting this and nothing else, you'll have a fine time with DOA: Dead Or Alive. --Paul Gaita

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Fangoria Frightfest Presents - Fragile

• FRAGILE FANGORIA FRIGHTFEST PRESENTS (DVD MOVIE)

As the new night nurse at a soon to be abandoned children's hospital readies the last group of orphans to leave, it becomes increasingly clear that these are not normal children. Something living in the hospital, something the children call the mechanical girl; has a terrifying hold over them and will stop at nothing to keep them in the hospital with her forever.

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Oster Professional 76918-126 Replacement Blade with AgIon Antimicrobial Coating for Classic 76/Star-Teq/Power-Teq Clippers, Size #2, 1/4" (6.3mm)

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BARBERSHOP 2:BACK IN BUSINESS - DVD MovieIce Cube triumphantly returns as Calvin Palmer, proud proprietor of a neighborhood barbershop in Barbershop 2. The first Barbershop was a surprise smash; even more surprising is how good this sequel is. The plot isn't much--there's a corporate haircutting chain opening across the street, leading to the usual sentiments about the importance of small businesses and neighborhoods--but the well-conceived characters and the loose, genuine banter give this movie a striking richness of feeling. Barbershop 2 cuts back and forth in time, flashing back to when Eddie (garrulous Cedric the Entertainer), the shop's oldest and most outspoke! n barber, first came to work for Calvin's father. Glimpses of black history give weight to the modern-day struggles; most impressively, this device doesn't feel forced or cynical. Also returning are Eve, Troy Garity, and Sean Patrick Thomas; Queen Latifah (Bringing Down the House) is a new face on the block. --Bret FetzerDisc 1: BARBERSHOP 1 Disc 2: BARBERSHOP 2From the producers of Soul Food comes this "warm, generous" (The New York Times) taleabout a Chicago barbershop where razor-sharp comedy never goes out of style! Starring Ice Cube, Anthony Anderson, Sean Patrick Thomas, Eve and Cedric the Entertainer, Barbershop is both a "sweet, life-affirming movie" (N.Y. Daily News) and outrageous, bust-a-gut fun!Calvin (Ice Cube) is a would-be entrepreneur with big plans and running his family's barbershop isn't one of them. But when he impulsively sells the shop to a shady loan shark, he soon realizes just how important the neighborhood parlor is to him and just ho! w far he'll go to get it back!With enough lively banter to kee! p its cu stomers happy for years, Barbershop is a loose, lanky comedy with its heart--and its humor--in all the right places. Ice Cube plays Calvin, reluctant heir to his late father's barbershop on Chicago's South Side--a neighborhood institution that seems like a trap for a guy with bigger dreams. But Calvin is devoted to his employees and local customers, and when he makes an ill-considered deal with a loan shark (Keith David), the future of the barbershop hangs in the balance. There's a goofy subplot involving a stolen cash machine, but what gives Barbershop its abundant charm is its compassionate, feel-good vibe for its likable characters--not just scene-stealer Cedric the Entertainer (as Eddie the veteran barber, whose shaving lesson is a shining pearl of wisdom), but the entire well-chosen cast. It may seem like a lot of casual rap, but look and listen closely, and Barbershop will reward you with its danceable rhythms of life. --Jeff Shannon

In ! this companion book to the bestselling I Love My Hair, a young boy, Miles, makes his first trip to the barbershop with his father. Like most little boys, he is afraid of the sharp scissors, the buzzing razor, and the prospect of picking a new hairstyle. But with the support of his dad, the barber, and the other men in the barbershop, Miles bravely sits through his first haircut. Written in a reassuring tone with a jazzy beat and illustrated with graceful, realistic watercolors, this book captures an important rite of passage for boys and celebrates African-American identity.

Go back to the barbershop with Ice Cube, Cedric the Entertainer and an all-star cast in this "sharp, savvy"(Entertainment Weekly) sequel that's even "funnier than the first" (WWOR-TV)! Co-starring Sean Patrick Thomas and Eve, with a special appearance by Queen Latifah, Barbershop 2 isa "pleasing blend of humor, sentiment and commentary"(Los Angeles Times)! When a slick new clip joint cal! led Nappy Cutz opens across the street from his barbershop, Ca! lvin (Ic e Cube)and his haircutters must make a stand to save the shop from bankruptcyand the neighborhood from a shady development deal. But as Calvin scrambles to keep up with progress, he discovers that the best way to really seize the future...is to hang on tight to his roots.Ice Cube triumphantly returns as Calvin Palmer, proud proprietor of a neighborhood barbershop in Barbershop 2. The first Barbershop was a surprise smash; even more surprising is how good this sequel is. The plot isn't much--there's a corporate haircutting chain opening across the street, leading to the usual sentiments about the importance of small businesses and neighborhoods--but the well-conceived characters and the loose, genuine banter give this movie a striking richness of feeling. Barbershop 2 cuts back and forth in time, flashing back to when Eddie (garrulous Cedric the Entertainer), the shop's oldest and most outspoken barber, first came to work for Calvin's father. Glimpses o! f black history give weight to the modern-day struggles; most impressively, this device doesn't feel forced or cynical. Also returning are Eve, Troy Garity, and Sean Patrick Thomas; Queen Latifah (Bringing Down the House) is a new face on the block. --Bret FetzerFor over 100 years, Oster Professional products has consistently proven to be better equipped to understand and meet your styling needs. The line of Oster Professional blades offer superior quality, super sharp blades for precision professional styling and long life. AgIon antimicrobial coating protects your blades from growth of bacteria, mold & mildew.

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Ancient Mysteries - The Black Death

• What is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt, through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punis

The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them ! into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is! truly on. Director Christopher Smith, previously responsible ! for the commendably bent time-travel saga Triangle, creates a fantastically earthy environment for the film's increasingly supernatural possibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew WrightThe year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious ! paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is truly on. Director Christopher Smith, previously responsible for the commendably bent time-travel saga Triangle, creates a fanta! stically earthy environment for the film's increasingly supern! atural p ossibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew Wright

La moria grandissima began its terrible journey across the European and Asian continents in 1347, leaving unimaginable devastation in its wake. Five years later, twenty-five million people were dead, felled by the scourge that would come to be called the Black Death. The Great Mortality is the extraordinary epic account of the worst natural disaster in European history -- a drama of courage, cowardice, misery, madness, and sacrifice that brilliantly illuminates humankind's darkest days when an old world ended and a new world was born.

A book chronicling one of the worst human disasters in recorded history really has no business being entertaining. But John Kelly's The Great Mortality is a page-turner despite its grim subject matter and g! raphic detail. Credit Kelly's animated prose and uncanny ability to drop his reader smack in the middle of the 14th century, as a heretofore unknown menace stalks Eurasia from "from the China Sea to the sleepy fishing villages of coastal Portugal [producing] suffering and death on a scale that, even after two world wars and twenty-seven million AIDS deaths worldwide, remains astonishing." Take Kelly's vivid description of London in the fall of 1348: "A nighttime walk across Medieval London would probably take only twenty minutes or so, but traversing the daytime city was a different matter.... Imagine a shopping mall where everyone shouts, no one washes, front teeth are uncommon and the shopping music is provided by the slaughterhouse up the road." Yikes, and that's before just about everything with a pulse starts dying and piling up in the streets, reducing the population of Europe by anywhere from a third to 60 percent in a few short years. In addition to taking readers o! n a walking tour through plague-ravaged Europe, Kelly heaps on! the anc illary information and every last bit of it is captivating. We get a thorough breakdown of the three types of plagues that prey on humans; a detailed account of how the plague traveled from nation to nation (initially by boat via flea-infested rats); how floods (and the appalling hygiene of medieval people) made Europe so susceptible to the disease; how the plague triggered a new social hierarchy favoring women and the proletariat but also sparked vicious anti-Semitism; and especially, how the plague forever changed the way people viewed the church. Engrossing, accessible, and brimming with first-hand accounts drawn from the Middle Ages, The Great Mortality illuminates and inspires. History just doesn't get better than that. --Kim HughesWhat is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt,! through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punishment for the world's sins. How was the cure for the plague finally discovered? Is it still with us today? These are some of the many questions we will explore in this program.

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Amen

• AMEN (DVD MOVIE)

A breakthrough, easy-to-follow brain-based program to lose weight and keep it offâ€"for the rest of your lifeâ€"from the bestselling author of Change Your Brain, Change Your Body, Magnificent Mind at Any Age, and Change Your Brain, Change Your Life
 
Have you tried diet after diet without success? Want to know the two major secrets why most diets don’t work?

The #1 secret is that most weight problems occur between your ears, not in your stomach. If you want a better body the first place to always start is by having a better brain.

Secret #2 is that there isn’t just one brain pattern associated with being overweight; there are at least five patterns. Giving everyone the same diet plan will make some people better, and a lot of people worse. Finding the right plan for your individual brain type is the key to lasti! ng weight loss.

In The Amen Solution bestselling author and brain expert Dr. Daniel Amen shares his one-of-a-kind brain-based program that helps you lose weight, improve your memory, and boost your mood at the same time. This is the same program offered at the world-renowned Amen Clinics that has already helped thousands of people lose the love handles and muffin tops. Based on the most up-to-date research, Dr. Amen shows you how to
 
• Determine your individual brain type so you can find the plan that will work for you
• Say goodbye to emotional overeating to shed pounds
• Curb your cravings and boost willpower
• Improve your brainpower, memory, and mood
• Make small lifestyle changes that have a huge impact on weight loss
• Prepare easy, delicious brain-healthy meals
 
Packed with insight, motivation, and everything you need to get started right away, The Amen Solution will help you lose unwanted weight and! teach you the strategies to keep it off for a lifetime.

From the Hardcover edition.AMEN - DVD Movie

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B.A.P.S.

• Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sRunning Time: 91 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Age: 794043692529 UPC: 794043692529 Manufacturer No: N6925

Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'sWhat was director Robert Townsend thinking? His movies, such as The Five Heartbeats and The Hollywood Shuffle, are sweet, enjoyable little pictures. But this "comedy" about two flashy Georgia women hoping to find money and men in Los Angeles is stereotypical, unfunny, embarrassing, and boring. Halle Berry and newcomer Natalie Desselle are trapped in pitiful roles playing against the disti! nguished but miscast Martin Landau and a wasted Ian Richardson. B.A.P.S., by the way, stands for black American princesses. There are better urban comedies out there, the badly named Booty Call for one. --Rochelle O'Gorman

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Fair Game

• Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight f

From the director of The Bourne Identity comes this riveting thriller inspired by the experiences of real-life CIA officer Valerie Plame (Academy Award® nominee Naomi Watts). When Plame's retired ambassador husband Joe Wilson (played by Academy Award® winner Sean Penn) writes a newspaper article challenging the basis for the U.S. war on Iraq, the White House leaks Plame s undercover status leaving her international contacts vulnerable, her career in shambles and her life in danger. Crackling with shar! p dialogue, gripping intrigue and heart-pounding suspense, Fair Game is the adventure that s so unbelievable, it can only be realThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing piece of Beltway intrigue. Instead, Fair Game steers in the direction of domestic melod! rama, as the marriage between Plame and Wilson is severely tes! ted by t he unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonPlames status as a cia agent was revealed by white house officials allegedly out to discredit her husband after he wrote a 2003 new york times op-ed piece saying that the bush administration had manipulated intellige! nce about weapons of mass destruction to justify the invasion of iraq. Studio: Uni Dist Corp. (summit) Release Date: 03/29/2011 Starring: Naomi Watts Sean Penn Run time: 107 minutes Rating: Pg13 Director: Doug LimanThe skullduggery surrounding the Valerie Plame affair is already the stuff of an espionage thriller, even if at the time of the making of Fair Game many details of the incident remained murky. Naomi Watts plays Plame, a longtime CIA agent whose classified status was exposed to the world by columnist Robert Novak in 2003. The move was widely seen as retaliation for the fact that Plame's husband, diplomat Joseph Wilson (Sean Penn), had just written an op-ed piece contradicting an assertion in President Bush's State of the Union address--an assertion that was part of the Bush administration's drum-beating enthusiasm for the Iraq War. The movie can't answer all the questions about who wanted Plame exposed, but at the least it could create a convincing pi! ece of Beltway intrigue. Instead, Fair Game steers in t! he direc tion of domestic melodrama, as the marriage between Plame and Wilson is severely tested by the unwanted notoriety. It's not that the actors are unable to bring this situation to life; Penn is forceful (and he cleverly suggests the vanity of a longtime cocktail-party maven), while Watts, though quite capable, is somewhat frozen by her character's mixed, ambivalent reactions. The main problem is simply that these relationship scenes tip the balance, as though the Plame-Wilson marriage carried greater weight than allegations of weapons of mass destruction and the ramp-up to the Iraq War. Meanwhile, director Doug Liman tries to whip up some spy-movie "energy" with lots of noise and cutting, all of which feels increasingly hollow as the movie goes along. A calmer, cleaner documentary on the same subject might do a superior job someday. --Robert HortonAN ATTORNEY AND A COP ON THE RUN FROM A HIGH TECH CRIME RINGTHAT CAN TRACK THEIR EVERY MOVE.She's a lawyer. He's a cop. Som! e former KGB-types with a wide variety of slippery accents and enough sophisticated technological surveillance gadgets to make one wonder how the Soviet Union could have possibly failed, want her dead. The cop (William Baldwin) is the only man who can save her. It helps that the high-powered attorney is played by Cindy Crawford, who gives new meaning to the phrase "habeas corpus." So the plot doesn't make any sense: First they try to kill her, no questions asked. Then they capture her and spill their guts about all the details of their nefarious plan. But logic is not what Fair Game is about. It's about explosions, car crashes, and more explosions. The only pauses in the action are for showers (one for Baldwin, two for Crawford) and a change of clothing (Crawford slips out of a tight T-shirt into an even tighter tank top). The best feature of the DVD is the addition of a Gallic track. With very little actual sex in the movie, having the main characters ! conversing in French definitely adds some sauciness to the di! alogue s cenes. --Richard Natale

Patricia Briggs, the #1 New York Times bestselling author of the Mercy Thompson novels, "always enchants her readers." (Lynn Viehl, New York Times bestselling author) Now her Alpha and Omega series-set in a world of shifting shapes, loyalty, and passion- brings werewolves out of the darkness and into a society where fear and prejudice could make the hunters prey...

They say opposites attract. And in the case of werewolves Anna Latham and Charles Cornick, they mate. The son-and enforcer-of the leader of the North American werewolves, Charles is a dominant alpha. While Anna, an omega, has the rare ability to calm others of her kind.

Now that the werewolves have revealed themselves to humans, they can't afford any bad publicity. Infractions that could have been overlooked in the past must now be punished, and the strain of doing his father's dirty work is taking a toll on Charles.

Nevertheless, Charle! s and Anna are sent to Boston, when the FBI requests the pack's help on a local serial killer case. They quickly realize that not only the last two victims were werewolves-all of them were. Someone is targeting their kind. And now Anna and Charles have put themselves right in the killer's sights...

FAIR GAME - DVD MovieFROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of ! that secret information spurred a federal investigation and le! d to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie and her husband and their shared integrity.

Valerie Wilson retired from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers! will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

---

Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of wooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the clima! x of our paramilitary training. Each of us carried eighty-! pound ba ckpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight. His round face was covered with mud and sweat.

Read the Publisher's Note and First Chapter from Fair Game

---

FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to p! ower.On July 6, 2003, four months after the United States invaded Iraq, former ambassador Joseph Wilson's now historic op-ed, "What I Didn't Find in Africa," appeared in The New York Times. A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of that secret information spurred a federal investigation and led to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false--distorted characterizations of Valerie an! d her husband and their shared integrity.

Valerie Wilso! n retire d from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story.

Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

---

Read the First Chapter from Fair Game

Joining the CIA
Our group of five--three men and two women--trekked through an empty tract of w! ooded land and swamp, known in CIA terms as the "Farm." It was 4 a.m. and we had been on the move all night. Having practiced escape and evasion from an ostensible hostile force--our instructors--we were close to meeting up with our other classmates. Together we would attack the enemy, then board a helicopter to safety. This exercise, called the final assault, was the climax of our paramilitary training. Each of us carried eighty-pound backpacks, filled with essential survival gear: tents, freeze-dried food, tablets to purify drinking water, and 5.56 mm ammunition for our M-16s. The late fall weather was bitter, and slimy water sloshed in our combat boots. A blister on my heel radiated little jabs of stinging pain. My friend Pete, a former Army officer, usually ready with a wisecrack and a smirk, hadn't spoken in hours, while John, our resident beer guzzler, carried not only his backpack but at least fifty extra pounds of body weight.! His round face was covered with mud and sweat.

R! ead the Publisher's Note and First Chapter from Fair Game

---

FROM THE EXECUTIVE PRODUCER OF THE BOURNE FILMS COMES THE MAJOR MOTION PICTURE STARRING SEAN PENN AND NAOMI WATTS

Based on Fair Game, Valerie Plame Wilson’s historic and unvarnished account of the personal and international consequences of speaking truth to power.Jessica, a beautiful young woman, alone on an isolated outback farm in Australia, becomes the unwilling participant in a series of dangerous games with three shooters. At first they are content to tease and shock her, but when they star shooting on her land and endangering wildlife she is forced to take a stand. One by one, Jessica's avenues of escape are destroyed and she is forced to fight for her life. Jessica sets up whatever makeshift defenses she can and waits for the inevitable showdown. In the mayhem of the climax her farm is reduced to smoking ruins, but her courage and endur! ance proves to be a match for the brute strength of man and machine

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Blue Angels Crossing the Golden Gate Bridge 5 Canvas Print / Canvas Art - Artist Wingsdomain Art ...

• Museum Quality Canvas Print
• Gallery Wrapped on 1.5" Stretcher Bars
• Arrives "Ready to Hang" with Hanging Wire, Mounting Hooks, and Nails
• Available in a Variety of Sizes
• Includes 30-Day Money Back Guarantee

This is a beautiful stretched-canvas print wrapped on 1.5" thick stretcher bars. The print is professionally printed, assembled, and shipped within 2 - 3 business days from our production facility in North Carolina and arrives ready-to-hang on your wall. Fine Art America is home to more than 75,000 artists from all over the world who entrust us to fulfill their print orders online. We offer a 30-day money-back guarantee on every print that we sell and look forward to helping you select your next piece. Keywords: Blue Angels Canvas Print, Blueangels Canvas Print, Fleet Week Canvas Print, San Francisco Fleet Week Canvas Print, San Francisco Canvas Print

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