Friday, December 2, 2011

National Hardware V1936 Floor Door Stop with Rubber Bumper, Satin Nickel

  • Solid Brass base metal
Cabinets, floor; Thermo Scientific Hamilton; 84.625 in. high (215cm) and protrude 22 in. (56cm) from wall; Description: Solid hinged double door, case tall; Width: 48 in. (122cm); 48 x 84 x 22 in.BASED ON THE BEST SELLING NOVEL 'A WINDOW FOR ONE YEAR', THIS FILM CHRONICLES ONE PIVOTAL SUMMER IN THE LIVES OF FAMOUS CHILDREN'S BOOK AUTHOR TED COLE & HIS BEAUTIFUL WIFE MARION. IT IS A PROVOCATIVE STORY ABOUT ONE COUPLE'S EMOTIONAL JOURNEY INTO A WORLD OF DARING SENSUALITY & STUNNING HONESTY.Jeff Bridges demonstrates once again that he is one of the finest actors in film. Ted Cole (Bridges, Seabiscuit, The Big Lebowski), a successful writer/illustrator of children's books, invites a young student named Eddie (Jon Foster) to be his assistant for a summer. Eddie doesn't realize he's being drawn into the middle of a dissolving marriage until Ted's wife Marion (Ki! m Basinger, L. A. Confidential) invites him into an affair--which Ted both condones and resents. Slowly, Eddie comes to understand the secrets that are tearing the marriage apart. Bridges never shows off; everything he does seems simple, natural, almost unavoidable, but it's also utterly watchable. Whether you like the movie will depend on whether you like John Irving (The Door in the Floor is based on part of his novel A Widow for One Year), but Bridges's performance is undeniable. Also featuring Mimi Rogers (The Rapture). --Bret FetzerThe screenplay for the major motion picture The Door in the Floor, based on the #1 national bestseller A Widow for One Year by John Irving

In Irving’s introduction to Tod Williams’s screenplay, John Irving calls the script “the most word-for-word faithful translation to film of any of the adaptations written from my novelsâ€"including my own adaptation of The Cider House! Rules.” Yet Williams has made a radical and insightful ! choice: namely, to tell only the first third of Irving’s long, dark novel.

In this part of the story, sixteen-year-old Eddie O’Hare, an aspiring writer, believes he has landed the perfect summer job when he is hired as the personal assistant to the successful children’s book illustrator and author Ted Cole. But the Coles are a family marked by tragedy. Their two teenage sons were killed in a car accident; Marion Cole, the boys’ mother, has never recovered from their loss. Ted and Marion have temporarily separated, and their living arrangements, which involve their four-year-old daughter, Ruth, areâ€"especially to Eddie’s limited experienceâ€"baffling. Ted seems to be having an affair with his model, the acerbic Mrs. Vaughn, and Marion and Eddie increasingly find themselves alone together or alone with Ruth.

The Door in the Floor is a smooth and vivid adaptation of the darkest, most disturbing part of A Widow for One Year.Director Tod Williams (! The Adventure of Sebastian Cole) has drastically cut 'n' pasted novelist John Irving's A Year as a Widow into a challenging examination of love, loss and troubled character whose tone lies somewhere between The Ice Storm and In the Bedroom. Williams' troubled interior landscapes inspire Brazilian composer Marcelo Zarvos to an understated, if emotionally compelling gem of a score here, one that treats the film's melodrama with measured respect and a warm, invitingly human sense of scale. The composer's cues lean towards a small string ensemble, seasoning those mature, autumnal arrangements with spare, haunting solo piano passages ("A Sound Like Someone"), gentle harp flourishes ("Orient Point," "Summer Job") and a halting, playful take on the minuet ("Gin Lane," "Eduardo Gets Fired"). The result evokes a cross between Rachel Portman's own delicate scoring sensibilities and the introspective work of Elmer Bernstein on Far From Heaven ! and its own 50's inspirations, like To Kill a Mockingbird), yet imbued with a stately neo-classicism that is all Zarvos' own. --Jerry McCulley3/4', Satin Nickel Low Dome Door Stop, Designed To Protect Wall & Door From Damage On Doors With 1/4' To 3/4' Clearance, Carded.

Benchmade Bone Collector Axis Folding Knife with Green/Black G10 Handle

  • Blade Length: 3.36-Inch
  • Overall Length/Closed Length: 8.20-Inch/4.84-Inch
  • Blade Material/Hardness: D2 Tool Steel/ 60-62HRC
  • Blade Style: Drop-Point
  • Lock Mechanism: AXIS
Every Bone Collector needs a versatile cutting tool with numerous applications in the field. This manual knife features a stonewashed D2 tool steel blade. The drop-point blade features ambidextrous thumb holes. The green/black G10 handle features a rib cage pattern for great grip. The Bone Collector line has the AXIS lock system which makes the knife easier (and faster) to open and close. The pocket clip can be reversed for right or left-handed carrying (tip-up). Overall this is an excellent knife with a good feel and weight.

Far Side of the Moon Design Protective Decal Skin Sticker for Amazon Kindle Fire (7 inch Color Multi-Touch Display)

  • Far Side of the Moon art-quality design.
  • Covers the front and back surfaces of Amazon Kindle Fire (7 inch Color Multi-Touch Display - release on Nov 2011)
  • Personalize your Amazon Kindle Fire (7 inch Color Multi-Touch Display) with vibrant colors and brilliant designs.
  • Vinyl material offers flexibility and lowered weight when compared to a hard shell or hard case. Easy to install and easy to remove - No Sticky Residue!
  • Our thin, durable vinyl material encases your Amazon Kindle Fire like a glove, ensuring no loss in functionality. It IS NOT a hard case cover / faceplate.
Your precious Amazon Kindle Fire (7 inch Color Multi-Touch Display) attracts attention with its quad-core, touchscreen capabilities; it deserves to be showcased by a stunning, graphic skin decal sticker! Featuring brilliant images and vibrant colors, our decal skin stickers brighten up ! the outside of your Kindle Fire and allow you to showcase your true personality. Our skins are accurately, custom cut to ensure that they fit your Kindle smoothly without getting in the way of your touch screen. Crafted from durable vinyl, our decal skins also act as another layer of protection to ensure that your Kindle Fire remains flawless. These skins are so easy to install, and with our special adhesive, you can remove it without having to worry about all that sticky goo ruining your Kindle Fire. (Note: Due to differences in monitors, color may vary from photo.)

It IS NOT a hard case cover / faceplate.


POGO Hearts, Spades and More!

  • $0.99 for a limited time
First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the infamous Shamrock Hotel from which Aiden Keane doesn't collect. But with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A de! al is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please visit: thedivaspen.com.First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the inf! amous Shamrock Hotel from which Aiden Keane doesn't collect. B! ut with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A deal is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please ! visit: thedivaspen.com.Play 5 popular card games: Hearts, Spades, Euchre, Gin and Canasta.

In Hearts, the goal is to win as few points-paying hearts as possible or to win all the points-paying cards at once. The winner is the one who finishes with the game with the fewest points. In Spades, the goal is to bid and win a specific number of hands, by playing the highest card by round or by playing the highest spade. The team that bids and wins the most hands, wins the game. In Euchre, the goal is for you and your partner to get as many tricks per round as possible. You get tricks by having the highest trump card or highest suited card if no trump card is played. The team that scores 10 points first wins. The goal of Gin is to make sets of cards, based on runs in suit or matching rank. The player who can make the most matches earliest typically wins. In Canasta, you make sets of up to seven cards. The player who first makes sets of all his cards will make the most po! ints typically wins.

Learn and master each game thr! ough in- depth tutorials with rules and tips on how to improve your play and track your stats across all 5 games.

What game are you going to play first

National Hardware V1936 Floor Door Stop with Rubber Bumper, Satin Nickel

  • Solid Brass base metal
BASED ON THE BEST SELLING NOVEL 'A WINDOW FOR ONE YEAR', THIS FILM CHRONICLES ONE PIVOTAL SUMMER IN THE LIVES OF FAMOUS CHILDREN'S BOOK AUTHOR TED COLE & HIS BEAUTIFUL WIFE MARION. IT IS A PROVOCATIVE STORY ABOUT ONE COUPLE'S EMOTIONAL JOURNEY INTO A WORLD OF DARING SENSUALITY & STUNNING HONESTY.Jeff Bridges demonstrates once again that he is one of the finest actors in film. Ted Cole (Bridges, Seabiscuit, The Big Lebowski), a successful writer/illustrator of children's books, invites a young student named Eddie (Jon Foster) to be his assistant for a summer. Eddie doesn't realize he's being drawn into the middle of a dissolving marriage until Ted's wife Marion (Kim Basinger, L. A. Confidential) invites him into an affair--which Ted both condones and resents. Slowly, Eddie comes to understand the secrets that are tearing the marriage apart. Bridges n! ever shows off; everything he does seems simple, natural, almost unavoidable, but it's also utterly watchable. Whether you like the movie will depend on whether you like John Irving (The Door in the Floor is based on part of his novel A Widow for One Year), but Bridges's performance is undeniable. Also featuring Mimi Rogers (The Rapture). --Bret FetzerCabinets, floor; Thermo Scientific Hamilton; 84.625 in. high (215cm) and protrude 22 in. (56cm) from wall; Description: Solid hinged double door, case tall; Width: 48 in. (122cm); 48 x 84 x 22 in.The screenplay for the major motion picture The Door in the Floor, based on the #1 national bestseller A Widow for One Year by John Irving

In Irving’s introduction to Tod Williams’s screenplay, John Irving calls the script “the most word-for-word faithful translation to film of any of the adaptations written from my novelsâ€"including my own adaptation of The Cider House! Rules.” Yet Williams has made a radical and insightful ! choice: namely, to tell only the first third of Irving’s long, dark novel.

In this part of the story, sixteen-year-old Eddie O’Hare, an aspiring writer, believes he has landed the perfect summer job when he is hired as the personal assistant to the successful children’s book illustrator and author Ted Cole. But the Coles are a family marked by tragedy. Their two teenage sons were killed in a car accident; Marion Cole, the boys’ mother, has never recovered from their loss. Ted and Marion have temporarily separated, and their living arrangements, which involve their four-year-old daughter, Ruth, areâ€"especially to Eddie’s limited experienceâ€"baffling. Ted seems to be having an affair with his model, the acerbic Mrs. Vaughn, and Marion and Eddie increasingly find themselves alone together or alone with Ruth.

The Door in the Floor is a smooth and vivid adaptation of the darkest, most disturbing part of A Widow for One Year.Director Tod Williams (! The Adventure of Sebastian Cole) has drastically cut 'n' pasted novelist John Irving's A Year as a Widow into a challenging examination of love, loss and troubled character whose tone lies somewhere between The Ice Storm and In the Bedroom. Williams' troubled interior landscapes inspire Brazilian composer Marcelo Zarvos to an understated, if emotionally compelling gem of a score here, one that treats the film's melodrama with measured respect and a warm, invitingly human sense of scale. The composer's cues lean towards a small string ensemble, seasoning those mature, autumnal arrangements with spare, haunting solo piano passages ("A Sound Like Someone"), gentle harp flourishes ("Orient Point," "Summer Job") and a halting, playful take on the minuet ("Gin Lane," "Eduardo Gets Fired"). The result evokes a cross between Rachel Portman's own delicate scoring sensibilities and the introspective work of Elmer Bernstein on Far From Heaven ! and its own 50's inspirations, like To Kill a Mockingbird), yet imbued with a stately neo-classicism that is all Zarvos' own. --Jerry McCulley3/4', Satin Nickel Low Dome Door Stop, Designed To Protect Wall & Door From Damage On Doors With 1/4' To 3/4' Clearance, Carded.

Pandorum

  • PANDORUM (DVD MOVIE)
Its name: Event Horizon. The high-tech, pioneering research spacecraft mysteriously vanished, without a trace, on its maiden voyage seven years earlier. But a weak, persistent signal form the long-missing craft prompts a rescue team, headed by the intrepid Captain Miller (Laurence Fishburne, The Matrix and Mission: Impossible III), to wing its way through the galaxy on a bold rescue mission. Accompanying Miller is his elite crew and the lost ship’s designer (Sam Neill, Jurassic Park); their mission is to find and salvage the state-of-the-art interstellar horror. Kathleen Quinlan (Apollo 13) and Joely Richardson (TV’s Nip/Tuck) also star in this gripping sci-fi thriller.Lawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a rescue mission sent to find out just what in the hell (literally) happen! ed to the crew of a long-vanished experimental spacecraft in this dark and thundering descent of a horror film. Although this extremely stylish haunted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser, and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright The year is 2047. Years earlier, the pioneering research vessel Event Horizon vanished without a trace. Now a signal from it has been detected, and the United States Aerospace Command responds. Hurtling toward the signal's source are a fearless captain (Laurence Fishburne), his el! ite crew and the lost ship's designer (Sam Neill). Their missi! on: find and salvage the state-of-the-art spacecraft. What they find is state-of-the-art interstellar terror.Lawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a rescue mission sent to find out just what in the hell (literally) happened to the crew of a long-vanished experimental spacecraft in this dark and thundering descent of a horror film. Although this extremely stylish haunted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser, and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright Drawing from Andrei Tarko! vsky's heady science fiction meditation "Solaris" by way of "Alien" and "Hellraiser", this visually splendid but pulpy piece of science fiction schlock concerns a mission in the year 2047 to investigate the experimental American spaceship "Event Horizon", which disappeared seven years previously and suddenly, out of nowhere, reappeared in the orbit of Neptune. Laurence Fishburne stars as mission commander Captain Miller and Sam Neill is Dr. Weir, the scientist who designed the mystery ship. Miller's T-shirt- and army-green-clad crew of smart-talking pros finds a ship dead and deserted, but further investigations turn up blood, corpses, dismembered body parts, and a decidedly unearthly presence. It turns out that the ship is really a space-age haunted house where spooky (and obviously impossible) visions lure each of the crew members into situations they should know better than to enter. The ship is gorgeously designed, borrowing from the dark, organic look of "Alien" and ad! ding the menacing touch of teeth sprouting from bulwark doors ! and claw like spikes inexplicably shooting out of the engine room floor. Unfortunately the film is not nearly as inventive as the production design--it turns into a woefully inconsistent psychic monster movie that sacrifices mood for tepid shocks--but the special effects are topnotch, and ultimately the movie has a trashy B movie charm about it. "--Sean Axmaker"Drawing from Andrei Tarkovsky's heady science fiction meditation Solaris by way of Alien and Hellraiser, this visually splendid but pulpy piece of science fiction schlock concerns a mission in the year 2047 to investigate the experimental American spaceship Event Horizon, which disappeared seven years previously and suddenly, out of nowhere, reappeared in the orbit of Neptune. Laurence Fishburne stars as mission commander Captain Miller and Sam Neill is Dr. Weir, the scientist who designed the mystery ship. Miller's T-shirt- and army-green-clad crew of smart-talking pros finds a ship dead and desert! ed, but further investigations turn up blood, corpses, dismembered body parts, and a decidedly unearthly presence. It turns out that the ship is really a space-age haunted house where spooky (and obviously impossible) visions lure each of the crew members into situations they should know better than to enter. The ship is gorgeously designed, borrowing from the dark, organic look of Alien and adding the menacing touch of teeth sprouting from bulwark doors and clawlike spikes inexplicably shooting out of the engine room floor. Unfortunately the film is not nearly as inventive as the production design--it turns into a woefully inconsistent psychic monster movie that sacrifices mood for tepid shocks--but the special effects are topnotch, and ultimately the movie has a trashy B movie charm about it. --Sean AxmakerStudio: Paramount Home Video Release Date: 01/04/2011 Rating: RLawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a resc! ue mission sent to find out just what in the hell (literally) ! happened to the crew of a long-vanished experimental spacecraft in this dark and thundering descent of a horror film. Although this extremely stylish haunted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser, and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright Lawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a rescue mission sent to find out just what in the hell (literally) happened to the crew of a long-vanished experimental spacecraft in this dark and thundering descent of a horror film. Although this ext! remely stylish haunted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser, and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright A search and rescue space mission leads to a realm of unimaginable terror in this electrifying mix of action and edge of your seat suspense.System Requirements:Running Time: 97Lawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a rescue mission sent to find out just what in the hell (literally) happened to the crew of a long-vanished experimental spacecraft in this dark and thu! ndering descent of a horror film. Although this extremely styl! ish haun ted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser, and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright Lawrence Fishburne and Sam Neill head up a strong cast as the reluctant leaders of a rescue mission sent to find out just what in the hell (literally) happened to the crew of a long-vanished experimental spacecraft in this dark and thundering descent of a horror film. Although this extremely stylish haunted spaceship movie may be guilty of ripping off half a dozen better films (including Don't Look Now, Hellraiser,! and especially Andrei Tarkovsky's great Solaris), it's difficult to deny the gothic razorblade effectiveness of the end result. Not a "fun" film by any stretch of the imagination, but a thrillingly ruthless shocker that may leave more susceptible viewers in need of a long shower and a high-voltage night-light. For the full effect, watch it with all the lights off and the volume cranked up to 11. --Andrew Wright In Pandorum, Dennis Quaid (Vantage Point, The Express) and Ben Foster (3:10 to Yuma, Alpha Dog) join Cam Gigandet (Never Back Down, Twilight), Cung Le (Tekken, Fighting), newcomer Antje Traue, and director Christian Alvart (Antibodies) to tell the terrifying story of two crew members stranded on a spacecraft who quickly â€" and horrifically â€" realize they are not alone. Two astronauts awaken in a hyper-sleep chamber aboard a seemingly abandoned spacecraft. It’s pitch black, they are disoriented, and the only sound is a low rumble and creak from th! e belly of the ship. They can’t remember anything: Who are! they? What is their mission? With Lt. Payton (Quaid) staying behind to guide him via radio transmitter, Cpl. Bower (Foster) ventures deep into the ship and begins to uncover a terrifying reality. Slowly the spacecraft’s shocking, deadly secrets are revealed…and the astronauts find their own survival is more important than they could ever have imagined.Largely dismissed as yet another Alien carbon, the science-fiction/horror hybrid Pandorum exceeds the limits of that critique with an agreeable mix of atmospherics and high-voltage scares. Ben Foster and Dennis Quaid--two consistently watchable actors, and both well used here--are top-billed as a pair of space travelers who awake from lengthy hibernation with no idea who they are or how they got aboard a vast and seemingly empty spacecraft. Their exploration of the ship uncovers not only a handful of fellow humans, among them martial arts champ Cung Le and French scientist/requisite eye candy Antje Traue, but a host of feral m! utants with unpleasant designs on them. Director Christian Alvert, who gained international acclaim among genre viewers with his thriller Antibodies, keeps viewers engaged and unsettled with shadow-steeped cinematography and elaborately creepy production design, though his own attention span, which can be charitably described as blink and you'll miss it, obscures the clashes between the human and monster cast. However, Alvert has a few twists up his sleeve for the finale--one inspired, the other, less so--which not only helps to smooth over any of Pandorum's rougher edges, but also indicates that he's a genre director to watch. --Paul Gaita

Stills from Pandorum (Click for larger image)










Digger Man

  • ISBN13: 9780805082036
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
See How They Go gives young readers an up-close look at their favorite vehicles with dynamic images and simple text. Each title comes with a sheet of stickers featuring the vehicles from the book.
Diggers looks at the world of diggers, loaders, and other exciting construction machines.
Here come the diggers!

Children are fascinated with bulldozers, backhoes, payloaders--diggers of all shapes and sizes. In this playful picture book, simple alliterative language and bold, colorful images capture a child's love of building and creating.

Knight of Pleasure (All the King's Men)

  • ISBN13: 9780446553384
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Winner of the Pulitzer Prize, this classic book is generally regarded as the finest novel ever written on american politics. It describes the career of Willie Stark, a back-country lawyer whose idealism is overcome by his lust for power. New Foreword by Joseph Blotner for this fiftieth anniversary edition.
This landmark book is a loosely fictionalized account of Governor Huey Long of Louisiana, one of the nation's most astounding politicians. All the King's Men tells the story of Willie Stark, a southern-fried politician who builds support by appealing to the common man and playing dirty politics with the best of the back-room deal-makers. Though Stark quickly sheds his ideal! ism, his right-hand man, Jack Burden -- who narrates the story -- retains it and proves to be a thorn in the new governor's side. Stark becomes a successful leader, but at a very high price, one that eventually costs him his life. The award-winning book is a play of politics, society and personal affairs, all wrapped in the cloak of history.It is 1953, on the eve of the Coronation of Queen Elizabeth II, and American journalist Helena Claybourn and Chief Inspector John Kincaid have uncovered a long-hidden secret involving men close to the Crown-a secret that unleashes two relentless assassins on a killing spree across England, France and Germany.Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins star in this riveting story of a humble man’s rise to political power and the destructive force of corruption and betrayal that would ultimately unravel his soul, based on Robert Penn Warren’s 1946 classic Pulitzer Prize-winning novel. Also starring James Gandolfini, Mark! Ruffalo and Patricia Clarkson.

Beyond All The King’s Men


The Original

The Book

The Soundtrack

More Political Dramas

The Films of Sean Penn

The Films of Anthony Hopkins

Stills from All the King’s Men (click for larger image)







Sean Penn gives another powerhouse performance in All the King's Men, leading a topnotch cast in writer-director Steven Zaillian's underrated adaptation of the Pulitzer prize-winning 1946 novel by Robert Penn Warren. When you consider that the previous 1949 film version earned well-deserved Academy Awards for director Robert Rossen and actors Broderick Crawford and Mercedes McCambridge, it's no surprise that Zaillian's film was expected to earn similar acclaim, but lukewarm critical reception and disappointing box-office gave it the stigma of a noble failure. And while the film (which moves Warren's story from the Depression-era '30s to the early 1950s) suffers from unev! en pacing, partial miscasting, and an occasional lack of dramatic tension, it still qualifies as a first-class production that resonates with the timeless relevance of Warren's piercing political classic. Like Broderick before him, Penn is riveting as Louisiana governor Willie Stark, an upstart political dynamo (freely inspired by controversial real-life Louisiana governor Huey P. Long) whose rise to power is ultimately doomed by corruption and betrayal.

Jude Law costars as political reporter Jack Burden, our firsthand witness to Stark's rise and inevitable fall; his orbit of political insiders includes a corrupt judge (Anthony Hopkins) with a dark secret to hide; a longtime friend (Mark Ruffalo) and former lover (Kate Winslet) who fall victim to Stark's influence; and political staffers (James Gandolfini, Patricia Clarkson) who remain powerless against Stark's ill-fated populist juggernaut. At Sean Penn's request, former child star Jackie Earle Haley (from the origina! l Bad News Bears) makes a welcome return to movies as W! illie St ark's quietly intense bodyguard, "Sugar-Boy." Coproduced by Louisiana-born political consultant James Carville, filmed on authentic Louisiana locations and boasting all the stately, luxurious production values of a would-be Oscar contender, All the King's Men clearly benefits from Penn's fiery performance and Zaillian's earnest embrace of Warren's still-potent subject matter. And while the film's shortcomings may have prevented it from achieving unanimous acclaim, this is still a serious, well-crafted drama with much to say about the insidious potential for fascism in America, especially when well-meaning politicians lose their souls to power. --Jeff Shannon

On the DVD
The special features that accompany All the King's Men further demonstrate the film's in-production status as a potential classic. While the "making of" featurette is perfunctory at best, the other featurettes are definitely worthwhile despite Sean Penn's conspicuous absence! . In "Shake Hands with the Devil," the film's cast, producer, and writer-director Steven Zaillian discuss the timeless theme of political corruption; "An American Classic" is a concise profile of Robert Penn Warren, paying tribute to the poet and author's literary achievements; and "The Legend and Lore of Huey Long" examines the life and legacy of the still-beloved governor who won the hearts of working-class Louisianans while falling prey to his own ambition. "LA Confidential" is a brief featurette about the film's use of authentic Louisiana locations and the positive effect they had on cast and crew; three deleted scenes were obviously cut from the film for purposes of time, yet offer ample proof of Zaillian's established skill as one of Hollywood's top screenwriters; and the alternate ending extends beyond the film's final shot, with a funeral scene that serves as a melancholy (and ultimately unnecessary) coda to the film's Greek-tragic drama. --Jeff ShannonNew! F! ast shipping!Ryan Ortiz and Nathan Richardson are estranged lo! vers who shouldn't be apart. When Ryan decides to go direct to LA to fight for a second chance he is caught up in the biggest earthquake to hit the city since records began. LA is destroyed, burning, people homeless, people dying, and fires are ignited high in the LA hills above Nathan's apartment. Nathan is trapped and Ryan is his only hope. It is a race against time and the powerful all consuming destruction of nature for Ryan to find Nathan, trapped in the ruins of his home in the hills, and to get both of them to help before the fire consumes everything.ALL THE KING'S MEN - DVD MovieWriter-director Robert Rossen and character actors Broderick Crawford and Mercedes McCambridge (in her film debut) took home Oscars (for Best Picture, Best Actor, and Best Supporting Actress, respectively) for this excellent adaptation of Robert Penn Warren's Pulitzer Prize-winning novel. Crawford stars as Willie Stark, a charismatic populist Southern politician (inspired by the real Louisiana ! Governor Huey Long) who belies his "man of the people" roots as he ruthlessly maneuvers, lies, and deals his way into the halls of power. John Ireland is his right-hand man, Jack Burden, a newsman turned political flack who hangs on to Stark's early idealism even in the face of Stark's most reprehensible acts of corruption. McCambridge is Stark's cool mistress come calculating assistant. The immediacy of the drama is due in part to a documentary-like style, notably in the scenes on the campaign trail where Stark sways crowds with his folksy rhetoric and estimable charm. Joanne Dru and John Derek also costar. Rossen's savage screenplay and firm direction give the film a powerful punch, but it's Crawford's blustery charm and oversized performance that carry the picture. --Sean Axmaker Skella: A form-fitting black garment specifically tailored to cover a man's lean, muscular physique from head to toe. Worn exclusively by those in the king's personal guard. His Guardians! . For Nelina Lannen, the skella is more than an outfit. It'! s a symb ol of everything that's wrong with the royal rule. Ever since the king's men stormed into her bedroom eight years earlier and ripped her lover from her arms, she's been haunted by the memory of the ruthless bodyguards. That long-ago night they snatched the only man she's ever loved. Now they've returned to claim her body. Reader Advisory: Contains some scenes of male/male erotic interaction and group sex. THE GREATEST PASSION
Lady Isobel Hume is an expert swordswoman who knows how to choose her battles. When the king asks her to wed a French nobleman to form a political alliance, she agrees. But that's before the devilishly charming Sir Stephen Carleton captures her heart-and tempts her to betray her betrothed, her king, and her country.

IS WORTH THE GREATEST PERIL
Sir Stephen Carleton enjoys his many female admirers-until he dedicates himself to winning the lovely Isobel. So when a threat against the king leads Isobel into mortal danger, Stephen! has a chance to prove that he is more than a knight of pleasure...and that love can conquer all.


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