- Inspired by the vibrant colors seen throughout our travels in Mexico.
- Long sleeve 100% cotton dress with embroidery at the neck and hem.
- Extraordinary quality: carefully crafted and made of exceptional fabrics, 100% cotton
- Easy care: machine washable and very durable
Set in a dreamy landscape of stylized patterns, this garden party buzzes with life. Whimsical and wild images of birds, frogs, bugs, and other creatures populate flowery fields that pulse with psychedelic energy. Colorists of all ages will be enchanted with these 30 full-page illustrations and their creative coloring possibilities.
GARDEN PARTY - DVD MovieIntermingling lives in modern Los Angeles: a musician-drifter (Erik Smith) without a place to crash, a runaway teen (Willa Holland) making bank by posing for Internet cheesecake, a gay Nebraskan (Alexander Cendese) trying to make friends, a r! eal-estate agent (Vinessa Shaw) with a pot-pushing habit... these and others are the satellites circling the general sense of decadence in Jason Freeland's low-key comedy-drama. The film carries a vague echo of Alan Rudolph's
Welcome to L.A. in its jaundiced view of the city of angels, but on a much less sophisticated level; the storytelling could use a blood transfusion, and the young characters are stamped from a cookie-cutter. Individual actors try their best, and the always-underused Shaw gets some nice moments going with Richard Gunn, a client with kink. The standout, in a much smaller role, is Ross Patterson, doing an obnoxious talent scout routine (your movie's in trouble, however, when an irritating supporting player is much more fun than the main characters). The final misstep is the title, borrowed from the great Ricky Nelson song about phonies on the loose--a bit of overstatement the film didn't need.
--Robert HortonThis book was converted from its ! physical edition to the digital format by a community of volun! teers. Y ou may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Virginia Woolf once described Katherine Mansfield as "of the cat kind, alien, composed, always solitary & observant." All of these qualities are on display in Mansfield's writing, as well; hers are lonely tales of missed connections, inchoate longings, and complicated emotions within the context of a rigidly defined social setting. Born in New Zealand, Mansfield set many of her stories there, even though she emigrated to England in 1908 at age 19, never to return. Her characters are almost invariably middle-class, the daughters, sweethearts, wives, and widows of office clerks, military men, businessmen. In "At the Bay," for example, Mansfield focuses on the Burnell family as they take their summer vacation at the beach. Not content to follow just one character through the story, she drifts in and out of the consciousness of half a dozen, from the family cat to Stanley a! nd Linda Burnell, their children, Linda's sister, Beryl and their in-laws, the Trouts. Dipping into Linda's thoughts, for example, we learn that she loves her husband--"not the Stanley whom everyone saw, not the everyday one; but a timid, sensitive, innocent Stanley who knelt down every night to say his prayers and who longed to be good." Unfortunately for Linda, "she saw
her Stanley so seldom." Mansfield then swoops into the mind of Stanley's brother-in-law, Jonathan Trout, who is discontented with his life but knows he hasn't the will to change it, and then on to Beryl, whose longing for "someone who will find the Beryl they none of them know" leads her into a rash action.
In the title story, Mansfield concentrates on young Laura Sheridan on the afternoon of her family's garden party. The story follows the family through the preparations--flags to identify the different sandwiches, the delivery of cream puffs, the setting up of a marquee on the ! lawn. This perfect idyll is broken, however, by news of a fata! l accid ent down the lane. A young workman has been killed, leaving a wife and five children. Into Laura's perfect Eden, death comes whispering and her reaction to it is both subtle and surprising. In fact, many of Mansfield's stories feature young women on the brink of adulthood--facing, for the first time, the realities of their constricted lives. Love is a trap; childbearing is another; death can be "simply marvellous." Mansfield died in 1923 of tuberculosis, leaving behind a body of work that is as bold, unconventional, and modern as she was. The Garden Party and Other Stories is a fitting epitaph. --Alix WilberThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
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